Breathless (1. 96. Watch Online Watch The Philadelphia Experiment Full Movie Online Film. Wikipedia. Breathless (French: À bout de souffle; "out of breath") is a 1. French film written and directed by Jean- Luc Godard about a wandering criminal (Jean- Paul Belmondo) and his American girlfriend (Jean Seberg).
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It was Godard's first feature- length work and represented Belmondo's breakthrough as an actor. Breathless was one of the earliest, most influential examples of French New Wave (nouvelle vague) cinema.[2] Together with François Truffaut's The 4.
Blows and Alain Resnais's Hiroshima, Mon Amour, both released a year earlier, it brought international acclaim to this new style of French filmmaking. At the time, the film attracted much attention for its bold visual style, which included unconventional use of jump cuts. A fully restored version of the film was released in the U. S. for its 5. 0th anniversary in May 2. When originally released in France, the film attracted over 2 million viewers.
Michel (Jean- Paul Belmondo) is a youthful dangerous criminal who is intrigued with the film persona of Humphrey Bogart. After stealing a car in Marseille, Michel shoots and kills a policeman who has followed him onto a country road.
Penniless and on the run from the police, he turns to an American love interest Patricia (Jean Seberg), a student and aspiring journalist, who sells the New York Herald Tribune on the streets of Paris. The ambivalent Patricia unwittingly hides him in her apartment as he simultaneously tries to seduce her and call in a loan to fund their escape to Italy. Patricia says she is pregnant, probably with Michel's child. She learns that Michel is on the run when questioned by the police. Eventually she betrays him, but before the police arrive she tells Michel what she has done. He is somewhat resigned to a life in prison, and does not try to escape at first.
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The police shoot him in the street and, after a prolonged death run, he dies “à bout de souffle” (out of breath). Closing dialogue[edit]Michel's death scene is one of the most iconic scenes in the film, but the film's final lines of dialogue are the source of some confusion for English- speaking audiences.
In some translations, it is unclear whether Michel is condemning Patricia, or alternatively condemning the world in general. Watch Win It All Online Hollywoodreporter on this page. As Patricia and Detective Vital catch up with the dying Michel, they have the following dialogue: MICHEL: C'est vraiment dégueulasse. PATRICIA: Qu'est- ce qu'il a dit? VITAL: Il a dit que vous êtes vraiment "une dégueulasse". PATRICIA: Qu'est- ce que c'est "dégueulasse"?[3][4]In the English captioning of the 2.
Fox- Lorber Region One DVD, "dégueulasse" is translated as "scumbag", producing the following dialogue: MICHEL: It's disgusting, really. PATRICIA: What did he say? VITAL: He said, "You're a real scumbag". PATRICIA: What's a scumbag? The 2. 00. 7 Criterion Collection Region One DVD uses a less literal translation: MICHEL: Makes me want to puke.
PATRICIA: What did he say? VITAL: He said you make him want to puke. PATRICIA: What's that mean, "puke"? This translation also was used for the 2. Jean Seberg and Jean- Paul Belmondo in Breathless. Production[edit]Background and writing[edit]Breathless was loosely based on a newspaper article that François Truffaut read in The News in Brief. The character of Michel Poiccard is based on real- life Michel Portail and his American girlfriend and journalist Beverly Lynette.
In November 1. 95. Portail stole a car to visit his sick mother in Le Havre and ended up killing a motorcycle cop named Grimberg.[6]Truffaut worked on a treatment for the story with Claude Chabrol, but they ended up dropping the idea when they could not agree on the story structure. Godard had read and liked the treatment and wanted to make the film. While working as a Press Agent at 2. Century Fox, Godard met producer Georges de Beauregard and told him that his latest film was not any good.
De Beauregard hired Godard to work on the script for Pêcheur d'Islande. After six weeks Godard became bored with the script and suggested making Breathless instead. Chabrol and Truffaut agreed to give Godard their treatment and wrote de Beauregard a letter from the Cannes Film Festival in May 1.
Godard directed it. Truffaut and Chabrol had recently become star directors and their names secured financing for the film. Truffaut was credited as the original writer and Chabrol as the technical adviser. Chabrol later claimed that he only visited the set twice and Truffaut's biggest contribution was persuading Godard to cast Liliane David in a minor role.[6] Fellow New Wave director Jacques Rivette appears in a cameo as the dead body of a man hit by a car in the street.[7]Godard wrote the script as he went along. As well as the real- life Michel Portail, Godard based the main character on screenwriter Paul Gégauff, who was known as a swaggering seducer of women.
Godard also named several characters after people he had known earlier in his life when he lived in Geneva.[6] The film includes a couple of in- jokes as well: the young woman selling Cahiers du Cinéma on the street (Godard had written for the magazine), and Michel's occasional alias of László Kovács, the Hungarian- American cinematographer who would become famous for Five Easy Pieces and other films. Jean- Paul Belmondo had already appeared in a few feature films prior to Breathless, but he had no name recognition outside France at the time Godard was planning the film. In order to broaden the film's commercial appeal, Godard sought out a prominent leading lady who would be willing to work in his low- budget film. He came to Jean Seberg through her then- husband, Francois Moreuil, with whom he had been acquainted.[8] Seberg agreed to appear in the film on June 8, 1.
Godard ended up giving Seberg's husband a small part in the film.[6] During the production, Seberg privately questioned Godard's style and wondered if the film would be commercially viable. After the film's success, she collaborated with Godard again on the short Le Grand Escroc, which revived her Breathless character.[8]Godard had initially wanted cinematographer Michel Latouche to shoot the film after having worked with him on his first short films.
De Beauregard hired Raoul Coutard instead, who was under contract to him.[9]Filming[edit]Godard envisaged Breathless as a reportage (documentary), and tasked cinematographer Raoul Coutard to shoot the entire film on a hand- held camera, with next to no lighting.[1. In order to shoot under low light levels, Coutard had to use Ilford HPS film, which was not available as motion picture film stock at the time. He therefore took 1. HPS film sold for 3. During development he pushed the negative one stop from 4.
ASA to 8. 00 ASA.[1. The size of the sprocket holes in the photographic film was different from the sprocket holes for motion picture film, and the Cameflex camera was the only camera that would work for the film used.[1. The production was filmed on location in Paris during the months of August and September in 1.
Eclair Cameflex. Almost the whole film had to be dubbed in post- production because of the noisiness of the Cameflex camera[1. Cameflex was incapable of synchronized sound.[9]Filming began on August 1.
Godard met his crew at the Café Notre Dame near the Hôtel de Suède and shot for two hours until he ran out of ideas.[6] Coutard has stated that the film was virtually improvised on the spot, with Godard writing lines of dialogue in an exercise book that no one else was allowed to look at.[6] Godard would give the lines to Belmondo and Seberg while having a few brief rehearsals on scenes involved, then filming them. No permission was received to shoot the film in its various locations (mainly the side streets and boulevards of Paris) either, adding to the spontaneous feel that Godard was aiming for.[1. However, all locations were picked out before shooting began and assistant director Pierre Rissient has described the shoot as very organized. Actor Richard Balducci has stated that shooting days ranged from 1.